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English IB Higher Level 12

Programme Overview:

IBHL English A: Literature YR 2 (grade 12) Syllabus (2017-18)

 

IBHL English A: Literature Programme

 

**IMPORTANT** -  Conventions of Genre/Other Resources:

 

Prose Fiction, Drama, Poetry, Prose non-fiction

 

Developing the Skills of Literary Analysis

 

Words that describe Tone/Attitude

 

Literature In Translation (LIT) Written Assignment Resources

Instructions for Final Submission of Written Assignment

Texts are from Part 1 of Syllabus - Literature in Translation:

The Visit, Perfume and The Sailor Who Fell from Grace with the Sea

 

LIT Essays - Themes/Big Ideas (for topic generation)

 

LIT Essays - Thesis Statements

 

LIT Essays - Advice

 

LIT Reflective Statement Criteria

 

LIT Written Assignment Guidance (from IBO OCC)

 

LIT Written Assignment - Rubric

 

Part 2 -  Detailed Study:

 

The works for this part of the syllabus are: The God of Small Things by Arundhati Roy, A Room of One's Own by Virginia Woolf and the poetry of Sylvia Plath

 

Prose Fiction - The God of Small Things (GOST) by Arundhati Roy:

 

GOST - Prompts for annotation

 

This is a great resource:

https://brians.wsu.edu/2016/10/19/arundhati-roy-the-god-of-small-things/

Chapter 1 questions

 

Chapter 1 similes

 

Background

 

Characters

 

Character relationship map

 

Chronological timeline of events

 

Literary and Linguistic Techniques

 

Explanation of free indirect style of narrative voice

 

GOST - 'Thoughts'

 

 

Prose non-fiction - A Room of One's Own by Virginia Woolf:

 

Prose non-fiction Resources:

 

Here are some points to consider and retain when exploring this genre and its conventions:

  1. Non-fiction is essentially characterised by three fundamental elements: its intended audience, its register and its use of persuasive techniques.

  2. Register tells you something about the intended audience and the kind of rapport that the speaker or author wishes to establish with his/her audience. (Refer to your Conventions of Genre - Prose non-fiction handout for the six types of register.)

  3. Essays are traditionally used for philosophic discourse and authors tend to use the form to posit logically constructed arguments.

  4. Remember that speeches are intended to be heard and not read, so when we analyse a speech we are looking at a transcription of something that should be appreciated live.  Remembering that speeches should be heard more than read can help you appreciate the quality of the conventions of speech writing, such as rhetorical figures and figures of repetition.

 

Attitude/Tone - Words

 

Prose non-fiction Overview

 

Prose non-fiction Persuasive Language Techniques

More Persuasive Strategies - PPT

 

Close Reading of Prose non-fiction - Guided Analysis

Poetry - Sylvia Plath:

Please Note: 

You are expected to bring your own annotated copy of the poems to class when directed - you will not be given a copy.  All poems are linked here; click on title of poem for document.

Poems for IOC:

"Conversation Among the Ruins"

"The Shrike"

"Two Sisters of Persephone"

"Cut"

"Morning Song"

"Mirror"

"Words"

"Edge"

 

Other:

 

Sample Annotation of "Ode for Ted"

"The Beekeeper's Daughter" B Block Group Annotation

 

"The Moon and The Yew Tree"

"Witch Burning"

"Frog Autumn"

"Blackberrying"

"Words heard, by accident, over the phone"

"Mad Girl's Love Song"

"Ode For Ted"

"The Beekeeper's Daughter"

"Suicide Off Egg Rock"

"The Rabbit Catcher"

 

Individual Oral Commentary (IOC) & Discussion:

 

Texts are from Part 2 of Syllabus - Detailed Study:

IOC - Plath poetry; Discussion - The God of Small Things or A Room of One's Own

 

Poetry - Literary Terminology


Rhythm and Meter in Poetry


Annotating Poetry - Strategies and Suggestions


Poetry Oral Commentary: format, organisation and preparation


IOC and Discussion - Rubric

 


Sample Discussion Questions - Prose: fiction & Prose: other than fiction

Rubric for Woolf Assessment - Written Responses to Discussion Questions

 

 

Part 3 - Genre Study (Drama):

 

The works for this part of the syllabus are: Macbeth by William Shakespeare, The Importance of Being Earnestby Oscar Wilde, Equus by Peter Shaffer and Glengarry Glen Ross by David Mamet

 

Drama Resources:

 

Glossary of Drama Terms

 

Drama Writing Techniques

 

Conventions of Genre 1

 

Conventions of Genre 2

 

Macbeth Resources:

 

Macbeth Prompts for Annotation

 

Macbeth FAQs

 

Macbeth Ideas Worth Exploration

 

Reading Shakespeare

 

 

The Importance of Being Earnest Resources:

 

Earnest - Characters

 

Earnest - Summary all Acts

 

Earnest - Complete overview

 

Equus Resources:

 

Equus Companion/Resource

 

Equus Key Definitions

 

Equus Apollonian & Dionysian

 

Equus and Greek Tragedy

 

Equus Mad v. Bad

 

Equus - Areas of Study

Jungian Psychology

 

Glengarry Glen Ross Resources:

 

Glengarry Glen Ross - Characters

 

Glengarry Glen Ross - Style

 

 

Paper 1 (exam) Written Literary Commentary Resources:

 

Texts on the exam will be sight-unseen; you will have the option of writing the commentary on a poem or a prose passage.

 

NOTE: English A: Literature Course Companion "Tackling Paper 1" pgs. 50-77

 

The Written Literary Commentary - Paper 1 Guidance

 

Paper 1 Written Literary Commentary - Rubric

 

The Literary Commentary - Analysing Prose

A Poet's 'Tools'

 

Rhythm and Meter in Poetry

 

Written Literary Commentary Advice:  Doc1   Doc2   Doc3

 

Literary Conventions: techniques specific to genre for consideration

 

Paper 2 (exam) Comparative Essay Resources:

 

Texts are from Part 3 of the Syllabus - Genre Study (our genre is Drama):

Macbeth, The Importance of Being Earnest, Equus and Glengarry Glen Ross 

 

English A: Literature Course Companion "How to write an essay for the Paper 2 exam" pgs. 252-272

 

Great resource for widening your vocabulary of transitional words:  click here

 

How to Structure a Comparative Essay

 

Comparative Essay - Describing & Evaluating Similarity and Difference

 

Responding to Paper 2 Questions - Guidance 1

 

Responding to Paper 2 Questions - Guidance 2

 

Paper 2 Comparative Essay - Rubric

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